HomeEntertainmentCasting Director Kim Coleman on Casting ‘The Good Lord Chook’

Casting Director Kim Coleman on Casting ‘The Good Lord Chook’

Photograph Credit score: Ron Adar / Shutterstock.com

Kim Coleman solid “The Good Lord Chook,” a miniseries based mostly on the 2013 pre-Civil Warfare historic fiction novel centered on abolitionist chief John Brown. As a Casting Society Award-winning casting director, she got here on board the venture with producer and starring-actor Ethan Hawke connected. Based mostly in Los Angeles, Coleman’s prolific casting work contains “American Crime,” “Lovecraft Nation,” “Da 5 Bloods,” and “BlacKkKlansman.”


The casting problem:

“The Good Lord Chook” offered its distinctive casting challenges. The seven-episode miniseries explored very heavy subject material whereas additionally having distinct parts of humor weaved into the script. Coleman discovered that the job additionally required a number of historic analysis. For instance, which actors might seem like they had been dwelling within the mid-Nineteenth century U.S. frontier? 

Coleman instructed Awards Day by day, “Initially once I learn [the script], I assumed, ‘How are they going to tug this off?’ It was necessary to me to audition and solid actors with the talent stage to play each drama and comedy for this venture as a result of it had such a novel tone to it. You would see the humor in these severe conditions.” She continued, “We needed to ensure we had actors who had that talent stage, however we needed to guarantee that it was the correct actor. We needed actors who had nice faces; we couldn’t have actors who seemed like they had been so modern. There’s hair and make-up, however to that time we needed to really feel like that they had an authenticity, that they felt like they had been a part of that period. That was an important a part of who we solid in all of the roles.”

Ethan Hawke’s “Boyhood” co-star Ellar Coltrane, in addition to Ethan’s daughter, Maya Hawke, had been solid “by design,” Coleman shared. She insists they had been each completely fitted to their roles. “It was important that the actors be collaborative. By bringing in individuals [Ethan] had labored with earlier than, he knew how they labored, and so they knew how he labored. It was a extra comfy match, and my job was so as to add on to that with the a number of different solid members who match proper into that groove.”


Spotlighting newcomer Joshua Caleb Johnson:

One position was notably difficult to solid—the a part of the younger slave Henry “Onion” Shackleford. However Coleman noticed youngster actor Joshua Caleb Johnson early within the casting course of. She defined: “Initially, we did an enormous search, we noticed so many nice youngsters. However when Joshua walked into the room and I auditioned him, he had this sparkle in his eye. He’s a younger actor, however he was prepared to place within the time. He was good, he had the humor, he had the data, he needed to study extra. He was one of many first youngsters that I auditioned, and there was simply one thing very particular about him. He was humorous, and I feel he had the qualities. I stated to my workforce, ‘This child is particular. I feel it’s price him assembly with Ethan.’”

Upon assembly Ethan, Johnson proved to be a terrific match for the venture. Coleman remembers, “We talked to him, he talked in regards to the e book, we talked to his mother and father, and he was simply prepared to place within the work, and he did a improbable job. I needed to guarantee that this position of this child, who’s a boy dressed like a woman, that we did this the correct means. On the finish of the day, it labored on so many ranges. He was all the time that younger boy. I assumed he did a very nice job along with his portrayal. Ethan took him below his wing and actually labored with him and he actually listened. That’s one factor a few younger actor, he actually listened to Ethan, and Ethan was guiding him all the best way.” Certainly, the 2 name one another lifelong associates now.


Coleman’s recommendation for actors:

Coleman finds nice goal in working intently with actors and making them really feel comfy as she seeks to carry out one of the best of them. She additionally likes to maintain bringing expertise again to see how they’re rising and to be looking out for any tasks they’ll be fitted to whereas constantly permitting them to forge new floor of their careers. So Coleman encourages expertise to be prepared for the day their alternative comes. Which means specializing in performing and coaching whereas auditioning for productions, whether or not they’re huge or small. She urges actors to return to TV and movie auditions off-book, and attempt to turn into so masterful within the craft that their expertise can’t be denied.

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