HomeOperaFauquier Neighborhood Theatre's stage adaptation of 'SHOAH' — lest we neglect

Fauquier Neighborhood Theatre’s stage adaptation of ‘SHOAH’ — lest we neglect

By Aimée O’Grady

I handed a German man wearing an antiquated army uniform as I walked via the gates of Dachau.

I used to be a 21-year-old junior in faculty spending a semester in France visiting pals in Germany. He was paying his respects to the camp’s hallowed grounds.

The massive camp was barren. A lot of the barracks had been destroyed. Solely two remained for individuals to see: one for males and one for ladies.

The informational middle provided giant panels describing what occurred there. They have been written in French and German; the data was shared however not broadly with an English translation.

I recall an indication on the crematories stating that that they had by no means been used. One thing I later discovered was not true.

On that shiny, lovely, sunny day all I might consider have been the souls that haunted these grounds.

SHOAH launched a few of them to me.

SHOAH, by Claude Lanzmann and tailored for the stage by Dr. Harry J, Kantrovich, is a Holocaust documentary 11 years within the making. Lanzmann performed interviews dividing Holocaust witnesses into three classes: survivors, bystanders, and perpetrators.

Fauquier Neighborhood Theatre offered this world-premiere for eight performances from January 21 to February 6, 2022, at Vint Hill Farm Station, a former United States Military and Nationwide Safety Company. The World Conflict II setting of the theater was an fascinating backdrop for this play.

The plain set of SHOAH accentuated the difficult nature of the play’s topic with its understated simplicity. A projection display screen and classic work desk have been the one two set items.

Actors filed on and off stage throughout six scenes that depicted situations from totally different places in the course of the battle: Chelmo, Auschwitz/Birkenau, Sobibor/Vilna Ghetto, Treblinka, Berlin, and Warsaw.

The actors portrayed precise individuals who skilled the tragedies of the battle. Lots of them have been focus camp victims; others included the spouse of a Nazi schoolteacher, Head of Reich Railway, railway staff, Nazi Fee of the Warsaw Ghetto, amongst others. By analysis, some actors have been capable of finding their sufferer’s camp entry quantity to write down on their arm.

The 23 actors stood silently on the aspect of the stage till it was time to inform their experiences.

Then every actor walked into the highlight at middle stage, sporting forlorn expressions, and gazed into the gap to recall recollections from the individual they portrayed. The viewers sat silent, captivated by each phrase.

In rehearsal for the Fauquier Neighborhood Theatre manufacturing of ’SHOAH’: (LEFT) Michael Clendenin because the Interviewer Claude Lanzmann and Richard Fiske as Dr. Franz Grassler, the Deputy to the Nazi Commissioner of the Warsaw Ghetto, who oversaw deportations of Jews to Treblinka. (CENTER) Michael Clendenin as Claude Lanzmann, Sherry Bendt as Mrs. Pietyra, and Ricardo Padilla (middle) as Holocaust scholar Raul Hilberg. (RIGHT) Kirk Lambert as Filip Muller, an Auschwitz ‘particular element’ survivor, and Michael Clendenin because the Interviewer Claude Lanzmann. Photographs by Stephen Rummel Pictures.

Actor Peter Marsh portrayed 13-year-old Chelmo camp survivor Simon Srenik. Srenik was liable for burying our bodies retrieved from the fuel chambers. Whereas he recounted his experiences, I turned to have a look at my 13-year-old son, who sat beside me within the theater. I couldn’t think about any boy his age experiencing what Srenik had and having the braveness to dwell and retell it.

French filmmaker Claude Lanzmann, portrayed by actor Michael Clendenin, left his desk a number of occasions for interviews, taking a delicate and cautious tone with survivors and a extra accusatory one with perpetrators, akin to Dr. Franz Grassler, Nazi Commissioner of the Warsaw Ghetto, performed by actor Richard Fiske. Lanzmann discovered it inconceivable that Grassler was by no means conscious of what was occurring to the residents of the Ghetto. This alternate with Grassler was essentially the most heated of the play. All different reminiscences by sufferer portrayals have been melancholic, somber, and full of sorrow.

Throughout Sobibor railway employee Jan Piwonski’s retelling, performed by Terry Krebs, recordings from a railway might be discerned within the background. All through the play have been woven musical scores composed by Holocaust ghetto and camp victims. The authors’ names, lengthy misplaced to historical past, solely constructed onto the magnitude of the victims misplaced throughout battle, who took the final street to one of many camps.

“The music ties SHOAH scenes or vignettes collectively. It’s like having one other actor on the stage (together with the designated projections for every vignette). This music was written by the Jews who have been imprisoned within the loss of life camps and ghettos. For those who by no means made it out alive, the music is their present, their legacy to the world,” stated Kantrovich, SHOAH director.

Music director Matthew Scarborough organized transcriptions of “Songs of the Ghettoes and Focus Camps” and cellist Logan Madrid and violinist Kathy Mullen Jackson carried out the shifting music. Throughout musical units, archival footage from the camps and ghettos was projected onto the stage display screen.

The theater adaptation of SHOAH delivered to the stage a fact-finding mission to uncover first-hand accounts of the atrocities that befell throughout WWII. From prepare rides to resettlement camps to delousing directions, haircuts, fuel chambers, and clean-up element, the actors delivered accounts made by the people they portrayed.

Associating with the survivors’ identities enabled the viewers to raised join with every sufferer. The accents, gestures, and tears from the actors evoked sturdy feelings. Viewers members gasped as particulars emerged, such because the unloading of a deep frequent grave of our bodies, solely to have the survivor stumble upon the stays of his members of the family.

Actors by no means broke character or deserted their accents. Actor Michael Clendenin, portraying Claude Lanzmann, blended French phrases with English all through his survivor interviews. Actors engaged with the viewers and pointed when referencing how prisoners have been chosen, “and also you.”

I discovered myself throughout some testimonies leaning ahead to ask a query of one of many victims, realizing moments later that it wasn’t a presentation open to Q&A.

At entrance of home, the director discovered that some viewers members have been they due to household that they had misplaced within the battle.

Dr. Larry Finkel portrayed Richard Glazar, a Treblinka survivor. Finkel discovered that Glazar was a 22-year-old Czech-Jewish inmate. In August 1943, 200 prisoners revolted, together with Glazar. He was considered one of solely 100 prisoners to outlive the escape. Glazar grew to change into an economics professor. He married and had a household. Overcome by survivors’ guilt, he dedicated suicide on December 20, 1997, leaping out of a window in Prague.

“It has been an honor and a privilege to be solid and performing on this present. Honoring the recollections of those that died and theatrically relaying the phrases, recollections, and feelings of the survivors has been a difficult, broadening, and profoundly shifting expertise. As a Jew with distant relations who died within the Holocaust, it’s deeply private. Because the years go by and survivors dwindle to a valuable few, we should always remember the evil perpetrated and the darkest sides of humanity that may floor if allowed and tolerated and abetted. All of this occurred simply 80 years in the past. We should be taught from historical past and by no means permit this to occur once more. It can if we’re not each educated and vigilant.” — Larry Finkel

The manufacturing was full of emotive testimonies from the actors portraying survivors from the focus camps. Filip Muller was portrayed by Kirk Lambert. Twenty-year-old Muller was a prisoner charged with development of the crematoria and set up of the fuel chambers. He was liable for eradicating the our bodies from the fuel chambers following gassing.

Overwhelmed with the numerous acts of inhumanity he witnessed day by day, he selected to finish his life and stroll with prisoners into the fuel chambers. Whereas within the chamber, a lady he knew instructed him that ending his life was pointless. That he should bear witness to the brutality of their final hours and change into a dwelling witness of the Holocaust.

SHOAH embodies the voices of a dwindling era that skilled the worst that mankind has ever displayed. Whereas SHOAH completed its eight performances final month, it’s an instance of the impression that group theater can have in presenting stage variations from documentaries and historic occasions, particularly the tragedies of the Holocaust lest we neglect.

“I used to be initially to direct a musical for FCT (which isn’t my forté). I proposed SHOAH to Sheryl Solow and the Inventive Committee and spoke with Govt Director Debra Smyers, who introduced it to the board. The following factor I knew, my dream was turning into a actuality after being turned down by different theaters. I did in all honesty have a few Fairness theaters who wished to premiere SHOAH, however having began in group theater, a group theater deserves my loyalty, and FCT is that group theater. They may even be premiering my subsequent manufacturing someday in 2023, which is in collaboration with Mr. Tom Brokaw, The Biggest Era Speaks,” stated Kantrovich.

SHOAH is being deliberate to proceed at Fauquier Neighborhood Theatre, subsequent in a streaming platform on Holocaust Remembrance Days all year long. Based in 1978, Fauquier Neighborhood Theatre enriches and entertains a variety of audiences via quite a lot of dwell theater productions that improve the cultural lifetime of the group. The theater presents a variety of difficult inventive alternatives that encourage individuals of all ages and backgrounds to take part in theater. Extra info may be discovered at FCTstage.org.

Click on this picture to learn this system for the Fauquier Neighborhood Theatre manufacturing of ’SHOAH.’

Aimée O’Grady is a contract author with articles in The Fauquier Occasions, Piedmont Way of life, and Brookside Neighbors to call a couple of. The French and Artwork Historical past undergrad pursued a grasp’s diploma with a concentrate on Writing. She helps the humanities as a volunteer, author, and mom of 4 youngsters, every enrolled in an artwork. Aimée believes that storytelling weaves parallels amongst individuals and allows them to see commonalities and have a greater appreciation for experiences outdoors of their circles. 



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